Published Writing
AWARDS
My novel A Box Came for You won The Black List’s 2025 Unpublished Novel Award in the Horror category. There is more information about the award and the winners here.
My feature screenplay Summer Clubbing, adapted from my novel, was an Official Semifinalist in the Los Angeles Crime & Horror Film Festival 2021, a Quarterfinalist in the Screencraft Horror Screenplay Competition 2020, and an Official Selection in the HorrorHaus Film Festival 2020.
My book-length essay American Mutt Barks in the Yard won the Winterhouse Award for Design Writing in 2008.
NOVELS
American Home Life, 2007 (So New)
Johnny Red, 2005 (Word Riot Press) | Illustrations by Kim Battista
THE BUSINESS OF LAW
Legal Visionaries, 2013, and Unbound, 2009 (Lumen Legal, now Lexitas)
THE CULTURE OF GRAPHIC DESIGN
There’s Nothing Funny About Design, 2009 (Princeton Architectural Press) | Ellen Lupton interviewed me about the book.
American Mutt Barks in the Yard, 2005 (Emigre); | Full text in PDF at Emigre | Winner of the 2008 Winterhouse Award for Design Writing
Little Book of Love Letters, Volumes 1-3 (Emigre) | I wrote the text for three type specimens for Emigre.
FICTION COLLECTIONS
We Were Ugly So We Made Beautiful Things, 2003 (Word Riot Press) | Introduction by Steve Almond | Cover art and interior illustrations by Eduardo Recife
Twisted Fun, 2006 (Word Riot Press)
Terminally Curious, 2005 (So New)
The Human Case: 29 Stories, 2002
The Leap & Other Mistakes: 35 Stories, 2000
MISCELLANY
The Dead Bug Funeral Kit, 2003 | I created a kit that included poems for eulogizing your dead bug.
I was the graphic designer for the literary magazine Opium Magazine. See issues 1, 2, 3, 4, 5, 6, 7, 8, 9.
Humans Make Robot Movies to Feel Better About Being Human in a Robot World, 2011 | I made this book for a senior seminar I taught in the Visual Communications Department at Winthrop University. I guided students in selecting their themes, creating their lettering, making their illustrations, and designing and publishing their books.
I designed the cover and typeset the 2010 New Jersey anthology What’s Your Exit?
I edited, designed, and published the anthology of writing during the Bush years entitled What Happened to Us These Last Couple Years? (2008)(Goodreads).
JOURNALISM
I have worked as a freelance journalist for over twenty years and published articles, features, cover stories, profiles, interviews, and essays in periodicals such as Details, American Bar Association Journal, New York Times, Men’s Journal, Men’s Fitness, Mademoiselle, Detroit Free Press, Detroit Monthly, American Prospect, Playboy, Metro Times, Massage Magazine, Coffee Journal, and many others.
DESIGN WRITING
My design writing has appeared in ID Magazine, Print (1, 2, 3), Emigre (issues 68, 69, and 70), AIGA’s Voice, Eye Magazine, SpeakUp, Looking Closer 5, Design Disasters, Designing Magazines, Design Observer (“Is There Bauhaus in IKEA?”), and others.
I also wrote entries on Simplicissimus-B040, Lucky Strike-G007, and McDonald’s-I013 for The Phaidon Archive of Graphic Design (2012).
I reviewed children’s books for The New York Times Book Review (1, 2, 3) and was even a judge.
For Eye Magazine, I reviewed books by Chip Kidd, Edward Tufte, and Kenya Hara. I also wrote this.
My essays and stories have been anthologized many times, including in textbooks, and have been translated into several languages, including Spanish, Polish, Chinese, and Serbo-Croatian.
Photo: An excerpt of my book-length design essay American Mutt Barks in the Yard (2005) was included in a Polish anthology of international design writing.
I have written hundreds of short stories over the years, and they have appeared in Quick Fiction, Nerve, Epoch, Wisconsin Review, Opium Magazine, Barrelhouse, Sweet Fancy Moses, Word Riot, Dezmin’s Archives, Pindeldyboz, Eyeshot, Hobart, Monkeybicycle, Small Spiral Notebook, Carve Magazine, Drunken Boat, Del Sol Review, Failbetter, Haypenny, In Posse Review, Tatlin’s Tower, CrossConnect, 3AM Magazine, The Furnace, The Styles, Raised in a Barn, Taint Magazine, Foliate Oak, Spoiled Ink, The Edward Society, Flak Magazine, Konundrum Engine, The Paumanok Review, Prose Toad, Cenotaph, Outsider Ink, Spoken War, 42 Opus, Punchline Magazine, Minima, Ballyhoo, and Blue Planet.
Photo: The author not writing for a moment
“There’s Nothing Funny About Design: Essays that are sometimes about design but always laugh-out-loud hilarious by design’s greatest contemporary wit, David Barringer.”—Alissa Walker, Gelatobaby
“David Barringer’s book, There’s Nothing Funny About Design (Princeton Architectural Press, 2009) is actually very funny. This collection of new and revised essays presents the graphic design world with a kick in the literary pants. Barringer’s writing is bluntly personal yet rarely narcissistic; his prose often bristles with the excitement of an angry porcupine, yet it’s always grounded in rigorous thinking. No one else in our field is producing writing quite like this. As a self-taught designer, freelance writer, and work-at-home dad, Barringer is both an insider and outsider to the design discourse. He makes sense of what designers do and then takes us apart with his needle-sharp verbal tools.”—Ellen Lupton, Design Observer
“Here’s my latest read that had me miss subway stops: There’s Nothing Funny About Design by David Barringer. David’s articles, which have appeared in publications from Print to Emigre, are notable for his strong personal point of view, literary style, and even humor, not always attributes associated with writing about design. In this collection of essays, Barringer’s first, he wonders why drug names have so many X’s in them, ponders the rise of gory DVD covers, and ruminates on his father’s business card collection, pythons, and the human skull—proving again and again that design is everywhere you look for it (but may not have seen), without the powerful magnifying lens of this talented and exciting observer and writer.”—Tina Roth Eisenberg, Swiss Miss
“Finally, I've finished reading There's Nothing Funny About Design. First copy went to someone in Istanbul, second one went to Canada, but I hung on to the third one and read it with a big smile on my face. The reading was a truly pleasurable experience. It is unlike any design book on the market. Without being didactic, it taught me more than many of the design books out there. Your writing shines. I felt like I was reading a book of stories. Great stuff.”—Faruk Ulay
“I highly recommend this to anyone who considers themselves creative. Being a designer, I’m a sucker for visuals and rarely have time to sit down and read a book that has no images. I’m currently halfway through this book, and I really encourage designers to read about design instead of always looking at pretty pictures.”—Design Milk
“Dave Barringer’s There’s Nothing Funny About Design is twice as good as most experimental creative nonfiction lyric whatchamacallits.”—Daniel Nester, Pank
“Barringer is a freelance author, graphic designer and artist, and this collection of his essays reveals the ubiquitous influence of visual design on our everyday lives. Written for fellow designers and artists, these pieces analyze the design aspects of everything from the product names of prescription drugs to evolution and the shape of the human skull. The author uses generous helpings of humor as well as illustrations and photographs to support his observations.”—Book News
“Few writers can speak about graphic design with the alacrity and sharp-tongued criticism of the self-taught David Barringer. This collection of essays on everything from the letter X to DVD covers bristles with energy and metaphoric prose.”—Brian Fichtner, Cool Hunting
“Barringer devotes Part I to these often quirky essays and articles, while Part II offers a wry self-help guide, namely the Live Well Now! Brainbook, designed to enhance ‘identity science,’ which Barringer notes is at once ‘grammatically awkward but scary effective.’ The spoof includes charts, graphics and a self-acceptance certificate, as well as a section on design of the self, all of it pointing to Barringer’s rich imagination. The third section is yet another spoof, sort of, in this case rekindling the form of the rulebooks from the past, including Ben Franklin’s Poor Richard’s Almanac; the guide ostensibly directs young designers through sections on temperament, penmanship, collaboration, clients and so on, but again achieves something else indirectly, in this case performing a curious form of commentary through humor.”—Holly Willis, AIGA
“David Barringer is surely one of our best and funniest writers on design. He talks with Rich Fisher about his collection of essays, There's Nothing Funny About Design (Princeton Architectural Press), which critically examines everyday design from the ‘promiscuousness of the letter X in our culture,’ to how the cautionary colors of red and yellow have been adopted by the fast food industry, to how evolution is portrayed with fish symbols and the ape-to-man chart.”—Rich Fisher, Public Radio Tulsa, KWGS
And here are some customer reviews:
“An outstanding survey of a wide range of design puzzlers perfect for any general or college-level library strong in arts and design.”
“Shows designers and non-designers (whichever you may be) why and what design means to him, and in the end, you see it in a fresh light yourself.”
“I put this in the same category as Miranda July’s Learning to Love You More and Matt Madden’s 99 Ways to Tell a Story.”
“Barringer combines his unique brand of humor and appreciable perspective in a way that gave this outsider a fascinating view into the world of design.”
“An original and seriously funny take on design. There’s enough solid wisdom here to engage an experienced designer and enough wit to keep a non-designer happy.”
“One of the best design books out there. His prose is well crafted and elegant.”
“David Barringer is that rare species in our (often provincial) United States of America: a Renaiassance man. His mind goes in many directions; and his imagination connects what he finds in in original ways. The fact that he writes down the resulting thoughts is a gift to us all. His book There's Nothing Funny About Design tackles the issue in a fresh, quirky and irreverent way. He challenges the reader to stretch his or her mind, but never condescends to his audience. We could use more barrier-busting books like this.”
Nothing Funny also received a quick mention in How Magazine’s October issue: “Fresh and funny essays from the winner of the 2008 AIGA Winterhouse Award for design writing.”